论文列表

Nature

The deterioration of oil paintings. Nature 17, 515-517 (1878). 

The chemistry of paints and painting. Nature 45, 241-245 (1892).

The protection of ancient monuments. Nature 88, 394-395 (1912).

The chemistry of paints and painting. Nature 95, 259 (1915).

Antiques: their restoration and preservation. Nature 115, 45 (1925).

Department of scientific and industrial research the cleaning and restoration of museum exhibits. Nature 120, 400 (1927).

Restoration and preservation in museums. Nature 129, 339-340 (1932).

Scientific investigation of works of art. Nature 135, 568-569 (1935). 

The natural philosophy of paintings. Nature 140, 219-220 (1937). 

Care of works of art in war-time. Nature 150, 112-114 (1942).

Preservation of museum objects in war-time. Nature 152, 94-97 (1943).

Preservation of museums in Italy. Nature 152, 472 (1943).

Natural science and the fine arts. Nature 159, 628-630 (1947).

Scientific method in the conservation of pictures. Nature 162, 161-162 (1948). 

Methodology of science in the service of the arts. Nature 163, 390-393 (1949).

The scientific department of the National Gallery. Nature 164, 601-603 (1949).

International institute for the conservation of museum objects. Nature 165, 903-904 (1950). 

Science and tribal art. Nature 168, 1099-1100 (1951).

Mellon Foundation: Research fellowship in Artists' Materials. Nature 169, 909 (1952).

Studies in Conservation: journal of the International institute for the conservation of museum objects. Nature 171, 199-200 (1953).

Museum Techniques. Nature 179, 280-281 (1957).

The International Institute for the Conservation of museum objects. Nature 182, 1709 (1958).

Research Laboratory, British Museum. Nature 183, 791-792 (1959).

Scientific techinques in the conservation of painings. Nature 186, 437-438 (1960).

Scientific Techniques in Art and Archaeology. Nature 186, 674-677 (1960).

Recent advances in conservation of historic and artistic works. Nature 193, 26-28 (1962).

Scientific care for the arts. Nature 198, 1027 (1963).

Scientific Conservation. Nature 215, 1325-1326 (1967).

Preservation of Art. Nature 238, 114 (1972). 

Science and works of art. Nature 250, 767-770 (1974).

Scientific basis for practical conservation. Nature 258, 553 (1975).

Image processing in the analysis of art. Nature 299, 487-488 (1982).

Organic components in historical non-metallic seals identified using 13C-NMR spectroscopy. Nature 303, 238-239 (1983).

Photocharging of thin films of silver iodide and its relevance to the Daguerre photographic process. Nature 312, 744-746 (1984).

New evidence for the dendrochronlogical dating of Netherland paintings. Nature 320, 465-466 (1986).

Deterioration of our cultural heritage. Nature 352, 658660 (1991).

Using artistic licence. Nature 366,521-522 (1993).

Art meets science undernearth the Louvre. Nature 373, 645 (1995).

Accelerator for art's sake at the Louvre. Nature 335, 199 (1998).

Fractal analysis of Pollock's drip paintings. Nature 399, 422 (1999).

Organic chemistry of embalming agents in Pharaonic and Graeco-Roman mummies. Nature 413, 837-841 (2001).

Rescuers of Europe's cultural heritage struggle for funding. Nature 414, 572 (2001). 

Europe must unite to preserve its heritage. Nature 414, 673 (2001).

Nanotechnologies for conservation of cultural heritage: paper and canvas deacidification. DOI: https://doi.org/10.1038/news021021-1. (2002).

Deterioration of the seventeeth-century Vasa by internal formation of sulphuric acid. Nature 415, 893-897 (2002).

St Luke's new coat. Nature 417, 219-220 (2002).

World Bank cracks down on cultural damage. Nature 417, 577 (2002). 

Biology for Art's sake. Nature 428, 886-887 (2004).

Conservers plead for funds to protect Europes' heritage. Nature 431, 114 (2004).

The art of restoration. Nature 431, 410-411 (2004).

In the hands of a master. Nature 439, 648-650 (2006).

Revisiting Pollock's drip paintings. Nature 444, E9-E10 (2006).

Revisiting Pollock's drip paintings (reply). Nature 444, E10-E11 (2006).

Magnets harnessed to clean artwork. Nature DOI: https://doi.org/10.1038/news070903-1. (2007).

Saving art in situ. Nature 453, 159 (2008).

Saving plastics for posterity. Nature 455, 289 (2008).

Ancient Buddhas painted in oils. Nature DOI: https://doi.org/10.1038/news.2008.770. (2008).

Engineers come to art's rescue. Nature DOI:https://doi.org/10.1038/news.2008.836. (2008).

French bid to save rock art. Nature 467, 375-376 (2010). 

Historic Work. Nature 503, 6 (2013).

Laser looks under the surface of art. Nature doi:10.1038/nature.2014.14553. (2014).

Save the museums. Nature 513, 311-312 (2014).

Rescue Eastern Europe's collections. Nature 518, 303 (2015).

X-ray imaging reveals original art work. Nature (2017).

UNESCO's troubled drive for peace through science and culture. Nature 559, 29-30 (2018).

Restore world's cultural heritage with the latest science. Nature 570, 164 (2019).

China's 'silicon valley' must not trash its environment. Nature 574, 486 (2019).

The huge scientific effort to study Notre-Dame's ashes. Nature 577, 153-154 (2020).

Hundreds of Israel's archaeological sites are varnishing under concrete. Nature 582, 474-477 (2020).

Restoring Notre-Dames' 'magical' windows. Nature 583, 160 (2020).

Second Brazilian museum fire in two years reignites calls for reform. Nature 583, 175-176 (2020).

Thousands of ancient Aboriginal sites probably damaged in Australian fires.  DOI:10.1038/d41586-020-00164-8. (2020).


Nature Chemistry

Pigment puzzle. Nature Chemistry. DOI: https://doi.org/10.1038/nchem.370. (2009).

Of dragon's blood and chicken bones. Nature Chemistry 1, 593 (2009).

Barium bright and heavy. Nature Chemistry 5, 146 (2013).

Titanium tales. Nature Chemistry 5, 546 (2013).

Chrome yellows' darker side. Nature Chemistry 5, 897 (2013).

The colours of chromium. Nature Chemistry 6, 942 (2014).

A portrait of cadmium. Nature Chemistry 9, 96 (2017).


Nature Materials

Not-so-new technology. Nature Materials, 2, 509-510 (2003).

Material mosaics. Nature Materials 2, 640 (2003).

Soft matter, slow dynamics and art. Nature Materials 2, 427-429 (2003).

Watching paint dry. Nature Materials 3, 851 (2004).

Birth of the blues. Natuer Materials 4, 880 (2005).

Laser conservation of art. Nature Materials 6, 320-322 (2007).

Probing the structure of heterogeneous diluted materials by diffraction tomography. Nature Materials 7, 468472 (2008).

Well preserved. Nature Materials 8, 926 (2009).

Keeping art alive. Nature Materials 11, 14(2012).

Behind the art. Nature Materials, 17, 105 (2018). 

Materials Science challenges in Paintings. Nature Materials, 17, 106-109 (2018). 

Science at the museum. Nature Materials, 17, 110111(2018). 

New dating agency for artists. Nature Materials 18, 659 (2019).

Post-fire restoration of historic buildings and implications for Notre-Dame de Paris. Nature Materials 19, 817820 (2020).

Diagnosing Notre-Dame after fire. Nature Materials 19, 821822 (2020).


Nature Nanotechnology

Spintronics in silicon, nanoclusters within nanoclusters, art restoration with nanodroplets, the theory of viruses, and more. Nature Nanotechnology  2, 388-389 (2007).

Keeping it clean. Nature Nanotechnology. DOI: https://doi.org/10.1038/nnano.2007.173. (2007).

Clean and spotless art. Nature Nanotechnology. DOI: https://doi.org/10.1038/nnano.2009.350. (2009).

Nanomaterials in art conservation. Nature Nanotechnology 10, 287-290 (2015).


Nature Photonics

A terahertz art detective ,negative index goes green, acoustic phase imaging, superlens magnification, and more. Nature Photonics 1, 310-311 (2007).

Revealing hidden defects. Nature Photonics 3, 630-632 (2009).

Nanoscale X-ray imaging. Nature Photonics 4, 840-848 (2010). ®

Artwork analysis. Nature Photonics 8, 267 (2014).


Nature Physics

Picturing paints. Nature Physics 10, 177 (2014).


Nature Review Materials

Illuminating the past: X-ray analysis of our cultural heritage. Nature Review Materials 3, 285-287 (2018).


Nature Communication

Chemomechanics of salt damage in stone. Nature Communications 5, 4823 (2014).    ®

High spatial dynamics-photoluminescence imaging reveals the metallurgy of the earliest lost-wax cast object. Nature Communications 7, 13356 (2016).  ®

Protection and consolidation of stone heritage by self-inoculation with indigenous carbonatogenic bacterial communities. Nature Communications 8, 279 (2017).  ®


Science

The restoration of ancient temples. Science ns-2, 740-742 (1883).

Destruction of our cultural heritage. Science 116, 488 (1952).

Teaching and research in art conservation. Science 133, 1212-1216 (1961).

Sarsen stones of Stonehenge. Science 133, 1216-1222 (1961).

Preservation of oild, waterlogged wood by treatment with polyethylene glycol. Science 136, 649-650 (1962).

Restoration of photographs by neutron activation. Science 154, 119-123 (1966).

Convention for preservation of Man's cultural heritage in the oceans. Science 185, 763-764 (1974).

Conservation of stone artworks: barely a role for science. Science 190, 1187-1188 (1975).

Protection of archaeological sites. Science 192, 322 (1976).

Stone age sites saved from flooding. Science 221, 628-629 (1983).

Sales of Nineveh fragments exposes looting network. Science 293, 37 (2001).

Iraq's cultural heritage: collateral damage. Science 293, 13 (2001).

Destruction in Mesopotamia. Science 293, 32-35 (2001).

New digs draw applause and concern. Science 293, 38-41 (2001).

Rifle-toting researcher fights to protect ancient sites. Science 293, 39 (2001).

Canaletto had scientist's eye. Science 294, 511 (2001).

Dam threatens Iraqi ancient sites. Science 295, 2189-2191 (2002).

China issues rules on fossil excavation. Science 297, 1981 (2002).

Impending war stokes battle over fate of Iraqi antiquities. Science 299, 643 (2003).

Protecting Iraqi qntiquities. Science 300, 737 (2003).

Sweden launches a desperate bid to save famous warship. Science 301, 1459 (2003).

Bringing cultural heritage out of the shadows. Science 302, 975-977 (2003).

Open access to science and culture. Science 303, 311-312 (2004).

Archaeopteryx: the lost evidence. Science 312, 197-198 (2006).

Brilliant X-rays reveal fruits of a brilliant mind. Science 313, 744 (2006).

Pass the salt. Science 317, 729 (2007).

Shielding a Buddhist shrine from the howling desert sands. Science 321, 1035 (2008).

Archaeologists seek new cluse to the riddle of Emperor Qin's Terra-Cotta Army. Science 325, 22-23 (2009).

Virtual archaeologists recreate parts of ancient worlds. Science 327, 140-141 (2010).

Ten years after Buddhas destroyed, Afghans work to save monastery. Science 331, 1124-1125 (2011).

Time ticks away for ancient Afghan monasteries. Science 337, 1279-1280 (2012).

3D imaging reveals how paintings were made. Science (2014).

Speaking out against blood antiquities. Science 352, 1285 (2016).

Where science meets art. Science 354, 826-828 (2016).

Imaging "stitching' technique lets scientists explore shipwrecks from dry land. Science. DOI: 10.1126/science.aar2756. (2017).

Picasso painted over another artists's work- and then over his own, new imaging reveals. Science. DOI:10.1126/science.aat3498. (2018).

U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art. Science 359, 912-915 (2018).

Ancient sites savaged in Yemen, Iraq. Science 360, 140-141 (2018).

Location-based data raise ethical issues for cultural heritage. Science 364, 1244-1245 (2019).

Science for built heritage. Science 364, 6439 (2019).

Scientists want to help restore Notre Dame, hoping to make new discoveries in the process. Science. DOI: 10.1126/science.aay1593. (2019).

Scientists are leading Notre Dame's restoration- and probing mysteries laid bare by its devastating fire. Science. DOI: 10.1126/science.abb6744. (2020).


Science Advances

Early pre-hispanic use of indigo blue in Peru. Science Advances 2, e1501623 (2016). ®

Medieval women's early involvement in manuscript production suggested by lapis lazuli identification in dental calculus. Science Advances 5, eaau7126 (2019). ®

Introduction to Heritage Art special collection. Science Advances 5, eaaz3323 (2019). 

Luminescence of Coprecipitated Titanium White Pigments: Implications for Dating Modern Art. Science Advances 5, eaav0679 (2019). ®

Pigment darkening as case study of In-Air Plasma-Induced Luminescence. Science Advances 5, eaar6228 (2019).  ®

2D-IR spectroscopy for oil paint conservation: Elucidating the water-sensitive structure of zinc carboxylate clusters in ionomers. Science Advances 5, eaaw3592 (2019). ® 

Visualization of vermilion degradation using pump-probe microscopy. Science Advances 5, eaaw3136 (2019). ®

First analysis of ancient burned human skeletal remains probed by neutron and optical vibrational spectroscopy. Science Advances 5, eaaw1292 (2019). ®

Near UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale. Science Advances 5, eaaw7794 (2019).  ®

Macroscopic X-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring. Science Advances 5, eaax1975 (2019).  ®

Carbon speciation in organic fossils using 2D to 3D x-ray Raman multispectral imaging. Science Advances 5, eaaw5019 (2019). ®

Artificial Intelligence for Art Investigation: Meeting the Challenge of Separating X-ray Images of the Ghent Altarpiece. Science Advances 5, eaaw7416 (2019). ®

Excited State Intramolecular Proton Transfer in Hydroxyanthraquinones: Towards Predicting Fading of Organic Red Colorants in Art. Science Advances 5, eaaw5227 (2019). ®

The Temple Scroll: Reconstructing an Ancient Manufacturing Practice. Science Advances 5, eaaw7494 (2019). ®

Ancient Greek text concealed on the back of unrolled papyrus revealed through Shortwave-Infrared Hyperspectral Imaging. Science Advances 5, eaav8936 (2019). ®

A 1000-year-old mystery solved: unlocking the molecular structure for the medieval blue from Chrozophora tinctoria, also known as folium. Science Advances, 6, eaaz7772 (2020). ®

Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques. Science Advances 6, eaay3514 (2020). ®

Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints. Science Advances 6, eaay8782 (2020). ®

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck. Science Advances 6, eabb3379 (2020). ®


Physics Review Letters

Discrete salt crystallization at the surface of a porous medium. Physical Review Letters 108, 054502 (2012). ®

Role of Cellulose Oxidation in the Yellowing of Ancient Paper. Physical Review Letters 108, 158301 (2012). ®

Damage mechanisms of porous materials due to in-pore salt crystallization. Physical Review Letters 109, 265503 (2012). ®

Casting Light on the Darkening of Colors in Historical Paintings. Physical Review Letters 111, 208302 (2013)  ®

Curling edges: a problem that has plagued scrolls for millennia. Physical Review Letters 112, 034302 (2014). ®


Reviews of modern physics

Materials characterization by synchrotron x-ray microprobes and nanoprobes. Reviews of modern physics 90, 025007 (2018).  ®


Chemical Reviews

A decade of Raman spectroscopy in art and archaeology. Chemical Reviews 107, 675-686 (2007). ®

Proteins in art, archaeology and paleontology: from detection to identification. Chemical Reviews 116, 2-79 (2016). ®

Core-shell nanoparticle-enhanced Raman spectroscopy. Chemical Reviews 117, 5002-5069 (2017).  ®

AFM-IR: technology and applications in nanoscale infrared spectroscopy and chemical imaging. Chemical Reviews 117, 5146-5173 (2017). ®


Chemical Society Reviews

The chemistry of paper conservation. Chemical Society Reviews 25, 179-186 (1996). ®

Raman microscopy: application to the indentification of pigments on medieval manuscripts. Chemical Society Reviews 24, 187-196 (1995). ®

Nuclear magnetic resonance in archaeology. Chemical Society Reviews 29, 175-182 (2000). ® 

Probing archaeological and artistic solid materials by spatially resolved analytical techniques. Chemical Society Reviews 29, 429-439 (2000). ®

Sulfur and iron in shipwrecks cause conservation concerns. Chemical Society Reviews 35, 399-415 (2006). ®

The invention of blue and purple pigments in ancient times. Chemical Society Reviews 36, 15-30 (2007). ®

The surface of cultural heritage artefacts: physicochemical investigations for their knowledge and their conservation. Chemical Society Reviews 36, 1605-1621 (2007). ®

The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics. Chemical Society Reviews 43, 2628-2649 (2014). ®

Infrared and Raman chemical imaging and spectroscopy at the nanoscale. Chemical Society Reviews 49, 3315-3347 (2020). ®


Accounts of Chemical Research

Advanced techniques in art conservation. Accounts of Chemical Research 43, 693-694 (2010). 

New methodologies for the conservation of cultural heritage: micellar solutions, microemulsions, and hydroxide nanoparticles. Accounts of Chemical Research 43, 695-704 (2010). ®

Synchrotron-based X-ray absorption spectroscopy for art consrevation: looking back and looking forward. Accounts of Chemical Research 43, 705-714 (2010).  ®

Analytical strategies for the characterizing organic paint media using gas chromatography/mass spectrometry. Accounts of Chemical Research 43, 715-727 (2010).  ®

In situ noninvasive study of artworks: the MOLAB multitechnique approach. Accounts of Chemical Research 43, 728-738 (2010).  ®

Advances in laser cleaning of artwork and objects of historical interest: the optimized pulse duration approach. Accounts of Chemical Research 43, 739-750 (2010).  ®

New frontiers in materials science for art conservation: responsive gels and beyond. Accounts of Chemical Research 43, 751-760 (2010).  ®

Noninvasive testing of art and cultural heritage by mobile NMR. Accounts of Chemical Research 43, 761-770 (2010).  ®

Recent studies of laser science in paintings conservation and research. Accounts of Chemical Research 43, 771-781 (2010).  ®

Identification of organic colorants in fibers, paints, and glazes by surface enhanced Raman spectroscopy. Accounts of Chemical Research 43, 782-791 (2010).  ®

New Advances in the application of FTIR microscopy and spectroscopy for the characterization of artistic materials. Accounts of Chemical Research 43, 792-801 (2010).  ®

Computational chemistry meets cultural heritage: challenges and perspectives. Accounts of Chemical Research 43, 802-813 (2010).  ®

Photon-based techniques for nondestructive subsurface analysis of painted cultural heritage artifacts. Accounts of Chemical Research 43, 814-825 (2010). ® 

Structural examination of easel paintings with optical coherence tomography. Accounts of Chemical Research 43, 826-836 (2010).  ®

Fluorescence spectroscopy: a powerful technique for the noninvasive characterization of artwork. Accounts of Chemical Research 43, 837-846 (2010).  ®

Scanning multispectral IR reflectography SMIRR: an advanced tool for art diagnostics. Accounts of Chemical Research 43, 847-856 (2010).  ®

Bright light: microspectrofluormetry for the characterization of lake pigments and dyes in works of art. Accounts of Chemical Research 43, 857-866 (2010). ®

Immunodetection of proteins in ancient paint media. Accounts of Chemical Research 43, 867-876 (2010).  ®

Material aspects of icons. A review on physicochemical studies of Greek icons. Accounts of Chemical Research 43, 877-887 (2010).  ®

Application of chemical and thermal analysis methods for studying cellulose ester plastics. Accounts of Chemical Research 43, 888-896 (2010).  ®

Advances in understanding damage by salt crystallization. Accounts of Chemical Research 43, 897-905 (2010).  ®

Science in the art of the Master Bizen Potter. Accounts of Chemical Research 43, 906-915 (2010).  ®

Degradation of glass artifacts: application of modern surface analytical techniques.Accounts of Chemical Research 43, 916-926 (2010).  ®

The coordinated use of synchrotron spectroelectrochemistry for corrosion studies of heritage metals. Accounts of Chemical Research 43, 927-935 (2010).  ®

Study of sticky rice-lime mortar technology for the restoration of historical masonry construction. Accounts of Chemical Research 43, 936-944 (2010). ®

Ancient mercury-based plating methods: combined use of surface analytical techniques for the study of manufacturing process and degradation phenomena. Accounts of Chemical Research 46, 2365-2375 (2013). ®

Reflectance hyperspectral imaging for investigation of work of art: old master paintings and illuminated manuscripts. Accounts of Chemical Research 49, 2070-2079 (2016). ®

Conservation issues of modern oil paintings: a molecular model on paint curing. Accounts of Chemical Research 52, 3397-3406 (2019). ®


Journal of the Americal Chemical Society

Synthesis and characterization of gels from polyallylamine and carbon dioxide as gellant. Journal of the American Chemical Society. 125, 5121-5129 (2003). ®

Tip-enhanced Raman spectroscopy (TERS) for in situ identification of Indigo and iron gall ink on paper. Journal of the American Chemical Society. 136, 8677-8684 (2014). ®


Angewandte Chemie International Edition/Angewandte Chemie

The restoration of the largest archaeological discovery- a chemical problem: conservation of the polychromy of the Chinese Terracotty Army in Lintong. Angewandte Chemie International Edition 42, 5676-5681 (2003). ®

Nanoscience for art conservation: oil-in-water microemulsions embedded in a polymeric network for the cleaning of works of art. Angewandte Chemie International Edition 48, 8966-8969 (2009). ®

Revealing the sfumato technique of Leonardo da Vinci by X-ray fluorescence spectroscopy. Angewandte Chemie International Edition 49, 6125-6128 (2010). ®

The nature of the extraordinary finish of Stradivari's instruments. Angewandte Chemie International Edition 49, 197-201 (2010). ®

Imaging mass spectrometry with a low-temperature plasma probe for the analysis of works of art. Angewandte Chemie International Edition 49, 4435-4437 (2010). ®

A chemist remains a chemist. Angewandte Chemie International Edition 52, 61-63 (2010). 

Insights into the Maya blue technology: greenish pellets from the ancient city of La Blanca. Angewandte Chemie International Edition, 51, 700-703 (2012). ®

Noninvasive analysis of paintings by mid-infrared hyperspectral imaging. Angewandte Chemie International Edition 52, 5258-5261 (2013). ®

Nanoscale investigation of the degradation mechanism of a historical chrome yellow paint by Quantitative electron energy loss spectroscopy mapping of chromium species. Angewandte Chemie International Edition 52,11360-11363 (2013). ®

Formation of metallic mercury during photodegradation/photodarkening of α‐HgS: electrochemical evidence. Angewandte Chemie International Edition 52, 12568-12571 (2013).

Egg white varnishes on ancient paintings: a molecular connection to amyloid proteins. Angewandte Chemie International Edition 53,7014-7017 (2014). ®

One-step synthesis of collagen hybrid gold nanoparticles and formation on Egyptian-like gold-plated archaeological ivory. Angewandte Chemie International Edition 53, 8363-8366 (2014). ®

Detection of organic colorants in historical painting layers using UV laser ablation surface-enhanced Raman. Angewandte Chemie International Edition 53,14374-14377 (2014). ®

Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting. Angewandte Chemie International Edition 54, 3607-3610 (2015). ®

Evidence for degradation of the chrome yellows in Van Gogh's Sunflowers: a study using noninvasive in situ methods and synchrotron-radiation-based X-ray techniques. Angewandte Chemie International Edition 54,13923-13927 (2015). ®

A 19th century "ideal" oil paint medium: a complex hybrid organic-inorganic gel. Angewandte Chemie International Edition 56,1619-1623 (2017). ®

Large-area elemental imaging reveals Van Eyck's original paint layers on the Ghent Altarpiece (1432), rescoping its conservation treatment. Angewandte Chemie International Edition 56, 4797-4801 (2017). ®

Heritage Science: A future-oriented cross-disciplinary field. Angewandte Chemie International Edition 57,7260-7261 (2018).

Paleo-inspired systems: durability, sustainability, and remarkable properties. Angewandte Chemie International Edition 57,7288-7295 (2018).  ®

Microemulsions, micelles, and functional gels: how colloids and soft matter preserve works of art. Angewandte Chemie International Edition 57,7296-7303 (2018). ®

Cultural heritage studies with mobile NMR. Angewandte Chemie International Edition 57,7304-7312 (2018). ®

Recent advances in analytical pyrolysis to investigate organic materails in heritage science. Angewandte Chemie International Edition 57,7313-7323 (2018). ®

Photochemistry of artists' dyes and pigmetns: towards better understanding and prevention of colour change in works of art. Angewandte Chemie International Edition 57,7324-7334 (2018). ®

Classifying degraded modern polymeric museum artefacts by their smell. Angewandte Chemie International Edition 57,7336-7340 (2018). ®

Standoff mid-infrared emissive imaging spectroscopy for identification and mapping of materials in polychrome objects. Angewandte Chemie International Edition 57,7341-7345 (2018). ®

Glass and alchemy in early modern europe: an analytical study of glassware from the oberstockstall laboratory in Austria. Angewandte Chemie International Edition 57,7346-7350 (2018). ®

Time-dependent ATR-FTIR spectroscopic studies on fatty acid diffusion and the formation of metal soaps in oil paint model systems. Angewandte Chemie International Edition 57,7351-7354 (2018). ®

Polymer film dewetting by water/surfactant/good-solvent mixtures: a mechanistic insight and its implications for the conservation of cultural heritage. Angewandte Chemie International Edition 57,7355-7359 (2018). ®

Layered nano-TiO2 based treatments for the maintenance of natural stones in historical architecture. Angewandte Chemie International Edition 57,7360-7363 (2018). ®

Rediscovering Ducos du Hauron's color photography through a review of his three-color printing processes and ysnchrotron microanalysis of his prints. Angewandte Chemie International Edition 57,7364-7368 (2018). ®

Palaeoproteomic profiling of conservation layers on a 14th century Italian wall painting. Angewandte Chemie International Edition 57,7369-7374 (2018). ®

Egyptian grave goods of Kha and merit studied by neutron and gamma techniques. Angewandte Chemie International Edition 57,7375-7379 (2018). ®

Long-lasting efficacy of coatings for bronze artwork conservation: the key role of layered double hydroxide nanocarriers in protecting corrosion inhibitors from photodegradation. Angewandte Chemie International Edition 57,7380-7384 (2018). ®

Miniaturized biosensors to preserve and monitor cultural heritage: from medical to conservation diagnosis. Angewandte Chemie International Edition 57,7385-7389 (2018). ®

A synchrotron-based study of Mary Rose iron cannonballs. Angewandte Chemie International Edition 57,7390-7395 (2018). ®

Using optical coherence tomography to reveal the hidden history of The Landsdowne Virgin of the Yarnwinder by Leonardo da Vinci  and Studio. Angewandte Chemie International Edition 57,7396-7400 (2018). ®

Pigment and binder concentrations in modern paint samples determined by IR and Raman spectroscopy. Angewandte Chemie International Edition 57,7401-7407 (2018). ®

Spectral imaging and archival data in analysing Madoona of the Rabbit paintings by Manet and Titian.  Angewandte Chemie International Edition 57,7408-7412 (2018). ®

Modelling the evolution of crosslinked and extractable material in an oil-based paint model system. Angewandte Chemie International Edition 57, 7413-7417 (2018). ®

Chemical mapping by macroscopic X-ray powder diffraction (MA-XRPD) of Van Gogh's Sunflowers: identification of areas with higher degradation risk. Angewandte Chemie International Edition 57,7418-7422 (2018). ®

Crowdsourcing as an analytical method: metrology of smartphone measurements in heritage science. Angewandte Chemie International Edition 57,7423-7427 (2018). ®

Combined non-invasive PIXE/PIGE analyses of mammoth ivory from Aurignacian archaeological sites. Angewandte Chemie International Edition 57,7428-7432 (2018). ®

Nonlinear unmixing of hyperspectral datasets for the study of painted works of art. Angewandte Chemie International Edition 57,10910-10914 (2018). ®

Evolved gas analysis-mass spectrometry to identify the earliest organic binder in Aegean style wall paintings. Angewandte Chemie International Edition 57,13257-13260 (2018). ®

Polyoxometalate-ionic liquids (POM-ILs) as anticorrosion and antibacterial coatings for natural stones. Angewandte Chemie International Edition 57,14926-14931 (2018). ®

Unraveling the composition of Rembrandt's Impasto through the identification of unusual plumbonacrite by multimodal synchrotron X-ray diffraction analysis. Angewandte Chemie International Edition 58, 5619-5622 (2019). ®

Revealling the distribution of metal carboxylates from the micro- to nanoscale. Angewandte Chemie International Edition 58,11652-11656 (2019). ®

Molecular florescence imaging spectroscopy for mapping low concertrations of red lake pigments: Van Gogh's painting The Olive Orchard. Angewandte Chemie International Edition 59,6046-6053 (2020). ®

Elucidation of the Chemical Role of the Pyroclastic Materials on the State of Conservation of Mural Paintings from Pompeii. Angewandte Chemie International Edition. Accepted (2020). ®


Proceedings of National Academy of Sciences (PNAS)

An improved method for identifying red laks on art and historical artifacts. PNAS 106, 15095-15096 (2009).  

Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering. PNAS 106, 14757-14762 (2009). ®

Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings. PNAS 107, 5726-5731 (2010). ®

Rare-earth vs. heavy metal pigments and their colors from first principles. PNAS 110, 904-907 (2013). ®

Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork. PNAS 111, 1708-1713 (2014). ®

Multifunctional supramolecular polymer networks as next-generation consolidants for archaeological wood conservation. PNAS 111, 17743-17748 (2014). ®

Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting. PNAS 112, 15066-15071 (2015).

Science and Culture: High-tech tries to reveal artistic motivations. PNAS 113, 5762-5763 (2016).

Competing Englihs, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting. PNAS 114, 11856-11860 (2017). ®

Restoration of paper artworks with microemulsions confiend in hydrogels for safe and efficient removal of adhesive tapes. PNAS 115, 5932-5937 (2018). ®

History of art paintings through the lens of entropy and complexity. PNAS 115, E8585-E8594 (2018). ®

Science and Culture: Painting with invasive pigments. PNAS 115, 627-629 (2018). 

Science and Culture: Artists and scientists come together to explore the meaning of natural sound. PNAS 116, 12580-12583 (2019). 

Uncovering modern paint forgies by radiocarbon dating. PNAS 116, 13210-13214 (2019). ®

Identifying art forgeries by radiocarbon dating microgram quantities of artist's paints. PNAS 116, 13158-13160 (2019). ®

Plasmonics sheds light on the nanotechnology of daguerreotypes. PNAS 116, 13724-13726 (2019). 

Nineteenth-century nanotechnology: the plasmonic properties of daguerreotypes. PNAS 116, 13791-13798 (2019). ®

Science and Culture: Searching for the science hehind art therapy. PNAS 116, 707-710 (2019). 

Early globalized industrial chain revealed by residual submicron pigment particles in Chinese imperial blue-and-white porcelains. PNAS 117, 6446-6452 (2020). ®

Twin-chain polymer hydrogels based on poly(vinyl alcohol) as new advanced tool for the cleaning of modern and contemporary art. PNAS 117, 7011-7020 (2020).  ®

In-place molecular preservation of cellulose in 5,000-year-old archaeological textiles. PNAS 117, 19670-19676 (2020) ®


Annual Review in Analytical Chemistry

Rethinking the history of artist's pigments through chemical analysis. Annual Review of Analytical Chemistry 5,441-459 (2012). ®

Chemical mapping of paeontological and archaeological artifacts with synchrotron X-rays. Annual Review of Analytical Chemistry 5, 361-389 (2012). ®

The use of synchrotron radiation for the characterization of artists' pigments and paintings. Annual Review of Analytical Chemistry 6, 399-425 (2013). ®

Analyzing the heterogeneous hierarchy of cultural heritage materials: analytical imaging. Annual Review of Analytical Chemistry 10, 247-270 (2017). ®


Annual Review in Physical Chemistry

The photophysics of silver halide imaging materials. Annual Review in Physical Chemistry 50, 117-144 (1999). ®


Annual Review of Materials Research

The role or materials research in ceramics and archeology. Annual Review of Materials Reseach 31, 373-385 (2001). ®


Annual Review of Nuclear Science

Nuclear applications in art and archaeology. Annual Review of Nuclear Science 22, 383-426 (1972). ®


Advanced Functional Materials

History of organic-inorganic hybrid materials: prehistory, art , science and advanced applications. Advanced Function Materials 28, 1704158 (2018). ®

Graphene-enhanced nanomaterials for wall painting protection. Advanced Function Materials 28, 1803872 (2018). ®


Chemical Science

Ab initio study of PbCr(1-x)SxO4 solid solution: an inside look at Van Gogh Yellow degradation. Chemical Science 7, 4197-4203 (2016). ®


ACS Applied Materials & Interfaces

Organic-inorganic hybrid compounds containing polyhedral oligomeric sisesquioxane for conservation of stone heritage. ACS Applied Materials & Interfaces 1, 393-401 (2009).  ®

On the UV-induced polymeric behavior of Chinese lacquer. ACS Applied Materials & Interfaces 3, 482-489 (2011). ®

Antifungal coatings based on Ca(OH)2 mixed with ZnO/TiO2 nanomaterials for protection of limestone monuments. ACS Applied Materials & Interfaces 5, 1556-1565 (2013).  ®

Cleaning of paper artworks: development of an efficient gel-based material able to remove starch paste. ACS Applied Materials & Interfaces 6, 16519-16528 (2014).  ®

Polymer films removed from solid surfaces by nanostructured fluids: microscopic mechanism and implications for the conservation of cultural hertiage. ACS Applied Materials & Interfaces 7, 6244-6253 (2015).  ®

Removal of particulate contamination from solid surfaces using polymeric micropillars. ACS Applied Materials & Interfaces 8, 16967-16978 (2016).  ®

UV fluorescent epoxy adhesives from noncovalent and covalent incorporation of coumarin dyes. ACS Applied Materials & Interfaces 9, 10061-10068 (2017).  ®

Investigating the photocatalytic degradation of oil paint using ATR-IR and AFM-IR. ACS Applied Materials & Interfaces 9, 10169-10179 (2017).  ®

Synthesis, photocatalytic, and antifungal properties of MgO, ZnO, and Zn/Mg oxide nanoparticles for the protection of calcareous stone heritage. ACS Applied Materials & Interfaces 9, 24873-24886 (2017). ®

Soft, peelable organogels from partially hydrolyzed poly(vinyl acetate) and benzene-1,4-diboronic acid: applications to clean works of art. ACS Applied Materials & Interfaces 9, 28069-28078 (2017).  ®

Biogenic hydroxyapatite: a new material for the preservation and restoration of the built environment. ACS Applied Materials & Interfaces 9, 31401-31410 (2017).  ®

Metal-organic frameworks for cultural heritage preservation: the case of acetic acid removal. ACS Applied Materials & Interfaces 10, 13886-13894 (2018).  ®

Complex fluids confined into semi-interpenetrated chemical hydrogels for the cleaning of classic art: a rheological and SAXS study. ACS Applied Materials & Interfaces 10, 19162-19172 (2018). ®

Evaluation of adhesion and performance of natural consolidants for cotton canvas conservation. ACS Applied Materials & Interfaces 10, 33652-33661 (2018).  ®

Excellent efficacy of MOF films for bronze atwork conservation: the key role of HKUST-1 film nanocontainers in selectively positioning and protecting inhibitors. ACS Applied Materials & Interfaces 10, 37529-37534 (2018). 

Dual functionalities of few-layered boron nitrides in the design and implementation of Ca(OH)2 nanomaterials toward an efficient wall painting fireproofing and consolidation.ACS Applied Materials & Interfaces 11, 11792-11799 (2019).  ®

Surfactants mediate the dewetting of acrylic polymer films commonly applied to works of art. ACS Applied Materials & Interfaces 11, 27288-27296 (2019).  ®

Maximizing contact of supersoft bottlebrush networks with rough surfaces to promote particulate removal. ACS Applied Materials & Interfaces 11, 45310-45318 (2019).  ®

Epoxy coatings based on modified vegetable oils for wood surface protection against fungal degradation. ACS Applied Materials & Interfaces 12, 14443-14458 (2020).  ®

Nonionic surfactants for the cleaning of works of art: insights on acrylic polymer films dewetting and artificial soil removal. ACS Applied Materials & Interfaces 12, 26704-26716 (2020).  ®


Gondwana Research

Conservation of natural and cultural heritage in Dunhuang, China. Gondwana Research 26, 1216-1221 (2014). ®


Biosensors and Bioelectronics

Electrochemical immunosensor based on ensemble of nanoelectrodes for immunoglobulin IgY detection: application to identify hen's egg yolk in tempera paintings. Biosensors and Bioelectronics 52, 403-410 (2014). ®

Coupling non invasive and fast sampling of proteins from work of art surfaces to surface plasmon resonance biosensing: differential and simultaneous detection of egg components for cultural heritage diagnosis and conservation. Biosensors and Bioelectronics 85, 83-89 (2016). ®

Tailored monoclonal antibody as recognition probe of immunosensor for ultrasensitive detection of silk fibroin and use in the study of archaeological samples. Biosensors and Bioelectronics 145, 111709 (2019).


 

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